Jai-Yn Lin
林佳盈
Jaiyn Lin is currently studying for a Master's in the Department of Fine Arts at the National Taiwan University of Arts. Her work primarily focuses on the process of transforming existing objects, delicately balancing intuition and personal sensibilities to place materials in a state between ‘being like’ and ‘not being.’ She particularly emphasizes how well-formed shapes are arranged and the preliminary sketch states preceding them. Jaiyn Lin’s solo exhibition ‘Not presentable’ was held at the Madeleine Art Gallery, Taipei, in 2023. Her works have also been featured in group exhibitions including "Life before the Doomsday," Banqiao Broadcasting Station, Taipei, 2021: "Forms#1__Project of Curating Practice, " National Taiwan University of Arts North Campus Art Village, Taipei, 2019.
Jaiyn Lin explores the inherent representational aspects of image technology, contemplating how images preserve both past and momentary feelings by depicting insignificant and accidental events of everyday life. Whether it is the sudden accident of “Oops! Spilled water, grab the phone!” or the commonplace scenario where “one gets bitten by a mosquito, feels itchy, and scratches the hand until it breaks,” the artist finds intrigue in these minor events. Through two installation artworks, “It seems like... ‘Ah!’” series and “It seems like... itchy,” Lin navigates between emotional experiences and photography, allowing the narrative presented in flat imagery to seamlessly transition into physical space through tangible objects.
林佳盈，目前就讀於國立臺灣藝術大學美術學系研究所。作品主要關注變造現有物件的過程，拿捏分寸和自身的感覺，使材料介於「像」與「不是」的狀態，尤其在意如何擺放做好的造型，及在這之前的草稿狀態。過往個展為「不像樣」，瑪德蓮藝廊，台北，2023；作品亦曾參與群展 : 「末日常」，板橋放送所，台北，2021；「複數形態 #1__ 展覽實踐計畫」，國立臺灣藝術大學北區藝術聚落，台北，2019。
林佳盈探索影像技術中被視為理所當然的再現面向，透過描繪日常生活中不重要的偶然，思考影像如何保存過去式的與瞬間的感受——無論是「打翻水了、手機、拿起來 !」突如其來的意外，又或者是「手被蚊子叮了，癢癢的，抓著皮膚，皮膚破了」日常的微小事件。藝術家藉由兩件影像裝置作品〈好像是......「啊!」〉系列與〈好像是⋯⋯磨人的小東西〉遊走在情感經驗與影像之間，將存於平面的敘述藉由物件為引滲透至實體空間中。
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Jaiyn Lin explores the inherent representational aspects of image technology, contemplating how images preserve both past and momentary feelings by depicting insignificant and accidental events of everyday life. Whether it is the sudden accident of “Oops! Spilled water, grab the phone!” or the commonplace scenario where “one gets bitten by a mosquito, feels itchy, and scratches the hand until it breaks,” the artist finds intrigue in these minor events. Through two installation artworks, “It seems like... ‘Ah!’” series and “It seems like... itchy,” Lin navigates between emotional experiences and photography, allowing the narrative presented in flat imagery to seamlessly transition into physical space through tangible objects.
林佳盈，目前就讀於國立臺灣藝術大學美術學系研究所。作品主要關注變造現有物件的過程，拿捏分寸和自身的感覺，使材料介於「像」與「不是」的狀態，尤其在意如何擺放做好的造型，及在這之前的草稿狀態。過往個展為「不像樣」，瑪德蓮藝廊，台北，2023；作品亦曾參與群展 : 「末日常」，板橋放送所，台北，2021；「複數形態 #1__ 展覽實踐計畫」，國立臺灣藝術大學北區藝術聚落，台北，2019。
林佳盈探索影像技術中被視為理所當然的再現面向，透過描繪日常生活中不重要的偶然，思考影像如何保存過去式的與瞬間的感受——無論是「打翻水了、手機、拿起來 !」突如其來的意外，又或者是「手被蚊子叮了，癢癢的，抓著皮膚，皮膚破了」日常的微小事件。藝術家藉由兩件影像裝置作品〈好像是......「啊!」〉系列與〈好像是⋯⋯磨人的小東西〉遊走在情感經驗與影像之間，將存於平面的敘述藉由物件為引滲透至實體空間中。
⭢ Main Page
⭢ Participated Artist